Dhurandhar’s Gaze on Lyari, Karachi, and Pakistan | How an Indian Film Humanized Rehman Baloch
My interest in Dhurandhar lies in what the film indexes about India’s ethnographic gaze on Pakistan. The thesis I want to lay out is rather straightforward. Dhurandhar is remarkable measure of India’s ethnographic familiarity with Pakistan. It signals that Pakistan’s internal splintering is visible to the Indian state, to Indians and, through them, even to…
Arup K. Chatterjee 